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PARTENOPE BONSAI-ART
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Style Ikadabuki ( Float ) Obviously among these it owes us to be a bigger, which will be then the leader. this last is preferable that I/you/he/she have only the branches from a side. They will usually eliminate too much all the small sprigs those inferior to the seven cms. , and it will be avoided to intervene on the roots. The side with less branches it will be the inferior part. To create the tridimensional and therefore the future depth will be positioned the curved part toward the back. After this selection the
trunk will tie him with a thread so that you/he/she can be folded up and
to give movement to the a little interesting parts of trunk, not only
but so you/he/she can be located considering that you/he/she will be
buried.
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Every branch will be
polished up until thin to a bystander or at the most to the half. To
this point they will wind him with the thread and they will be
positioned so that to create a wood or a forest. The thread to wind the
branches will be hooked to the great thread that we have already put as
guardian of the trunk.
To engrave the bark under the trunk. To
stimulate the development of
rootlets hormones
dampened previous radicanti the cuts you/they can be used. To bury not
the trunk deeply in a container using the perlite as soil, inquanto it
is used in floriculture because it favors the issue of
rootlets. After one
year and a half verified if the new rootlets have gone out. This style has commonly "
called to float ", since the trees that appear as isolated subjects in
reality are the branches of a fallen tree, polite for years to seem
single trees. In fact the Japanese term Ikadabuki points out really a
fallen tree. The difference among the float style and that to multiple
trunks it is really in the fact that while in the first one they are the
branches of a single trunk to form a group, in the second to form the
group I am more single trees that don't have the same root.
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by GENNARO
MANZONE
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