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           PARTENOPE            BONSAI-ART
by    GENNARO MANZONE

 
 
 

the wreckage of the ancient tertiary flora

 

                                                   

I

 "The wreckage of the ancient tertiary " flora so the rate is defined (Taxus baccata). You/he/she can live up to two thousand years. Also called tree of the death in how much it results toxic in every part of his.
In the pastures in Sicily you/he/she is banished because different animals die after having ingested him/it in small quantity. In nature it easily confuses him with a fir, to motive for his/her pyramidal form even if on the southern mountain it grows bushy and you/they can be found exemplary ancient (Fig. 1-2).

 

 

     

 

 

 

 

 

 

 

 

Fig. 1 ancient sample of rate.

 

 

 

Fig.2 Particolare of the rate.

 

 

 

 

 

Fig. 5
Before workmanship. March 2003

Fig 6. Workmanship of the dry firewood after one year
 

The dead parts are been created on the whole tree: on the trunk from the lower part upward, with thin wood parts as blades really to underline the ancientness of the tree, cracks and jin, also on the branches, which evoke the effect of the atmospheric events (fig9).

With this article I would like to underline that according to me to create a bonsai simply is not alone to invent something, but it is a po to draw, to carve " on the tree as graffiti what we have succeeded in learning from the nature. (fig. 10).

 


I have begun as it is of usual to clean the whole plant so that tirar out how much more details, also those that at first sight could seem me meaningless, but that they served me to decide the type of tree and the habitat that I could imagine for the workmanship of the dry firewood (fig4-5. With the chalk I have marked on the wood the biggest parts to eliminate. With an electric cutter I have provveduto to dig the wood and to create the bases for a trunk cable (Sabamiki). In fact the rest and therefore the finishing touch and the thing most important the particular ones, have created them to hand with the aid of gouges and chisels which allow to engrave with precision the effects of naturalness that you/they are imagined (fig.6-7-8).

 
Fig. 4
The plant after the cleaning

This rate (Taxus baccata) you/he/she has been found in a hatchery, in full abandonment, a truth is really vegetable wreckage. It was a piece of meaningless wood (Fig. 3). but someone has said: "The artist is he who you/he/she creates a sunset there where there is not ", perhaps for this I purchased him/it.

   Fig.3 La plants before the cleaning.

 

 

                              

 

Everything had to be builds the dry firewood that had working. But I already knew that only the technique would not have been enough for to create, if first there was not that strength and great desire to want to firmly fix my feelings in that material. In fact, as I have always sustained, to create a bonsai needs to snatch to gain with the mind and the heart the nature and his/her creations of extraordinary beauty. The trees with parts of dead firewood grow in mountain and on the coasts where the events and the continuous whims of the nature occur more frequent: the effect of the radiant heat, of the wind, of the snow and of other events they create on the trees what the bonsaistis call: Shari, Jin, Sabamiki, conferring so at the same time him dramatic and austerity.

 

 

 

 

                                                                                                                                            

 

 

 Fig ..8 Jins and Shari also on the branches.
 

Fig 7 Particular dry firewood

Fig.. 9 dry Firewood.

 

 

Fig .10 final Aspect of the dry firewood, that evokes naturalness and so much ancientness. You will allow to grow the head of hair for then to effect a new formulation.

 

 

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